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Skyla Dawn Cameron

My characters kill people so I don't have to.

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May 26 2014

#YesAllWomen

meandteddyFour years old, junior kindergarten, the bell has rung and kids are filtering into the classroom after changing into their indoor shoes. I’m one of the first to sit on the carpet to wait while the teacher is occupied outside the door directing kids inside. A boy from my class stands in front of me and exposes his penis a foot from my face.

I don’t tell anyone because I’m embarrassed and feel like I did something wrong.

*

Five years old, I’m the flower girl at a family friend’s wedding. I woke up that morning sick (and I will always have a nervous stomach; I’ve sine learned to not eat for a day before an event), and felt queasy all day, including during the ceremony. The minister leans over to whisper harshly, “Smile!” Instead of, “Is anything wrong?” or “Are you okay?”

While it seems like a minor thing, in retrospect I realize this is the first of many times men I don’t know will feel it’s their place to tell me to smile. It will never stop–twenty-five years later, strange men will still feel it’s their place to tell my lips what to do. The minister stopped at “smile”; in the future, it goes from there to demands for acknowledgement, name-calling when I don’t respond.

*

Six years old in winter, an older boy starts following me during the 1km walk home from school. He grabs me from behind, holds me in place, and whispers in my ear all the sexual things he’s going to do to me. Over and over. For weeks.

I tell my mum. My babysitter. My teacher. He’s bothering me, I’m scared. Help.

“He just likes you,” is the resounding response.

One day he has me pinned again and he tells me he’s going to pull down my pants and all the cars driving by will see my underwear. Something clicks in my brain and I know no one’s going to help me. I elbow him in the ribs and stomp on his foot and while he falls, I run. And run. I run and burst through my babysitter’s door and that is when the adults take me seriously.

But I will never forget that no one’s going to help me but me.

*

Still six years old. I’ve always seen the aftermath of my father’s drunk, violent temper on the occasions he visits, but this time I see the storm hit. At night, I’m in the front seat of Mum’s car in the hotel parking lot in the city. I can see into the room where Dad’s yelling and throwing things. Mum’s crying and Dad’s yelling and I’m huddled in the car and when another man walks through the parking lot, my father yells at him to mind his own business.

He does.

When Mum tries to leave, Dad leaps on the car’s hood and tries to kick in the windshield. His gaze meets mine as he slams his heel into the glass. Mum slamming on the brakes dislodges him and she drives away.

No one helped her either.

*

Twelve years old, a girl in my circle of friends is “dating” a twenty-six-year-old man. The voice in my head that questions if this is normal is repeatedly silenced by everyone’s assurance she is just really mature for her age. Besides, the guy isn’t weird–he buys them cigarettes and is really friendly when he hangs outside the middle school’s fenced in property on our lunch hour.

I’m incredibly grateful to have a curfew to fall back on so I don’t have to hang out with them in the evenings. I don’t like how he looks at me.

*

Thirteen years old. On a bus, coming home from seeing a baseball game with a church group. An older boy–sixteen or so–repeatedly puts his arm around me and tries to rub the back of my neck even when I say no and try to move. Eventually I smile coolly, do the same to him, except I grasp the fine hairs on the back of his neck and give them a yank.

I assume he’ll back off; apparently he takes it as encouragement and won’t allow me to leave. So I scream at the top of my lungs.

He gets up and sits elsewhere on the bus. Everyone whispers about how uncool I am and my female friends chastise me for not being nice to him.

*

mepicStill thirteen years old, in eighth grade. We have one of those teachers, the one all the girls talk about because he makes them uncomfortable. He physically touches the girls, putting his hand on their shoulders. He teaches art and has me sit beside him so he can draw a portrait of me, saying how I’m a very pretty girl. I snarkily say, “I know” and laugh it off because if I act uncomfortable and show weakness, I worry it’ll make me more of a target.

This isn’t the first time; he’s been doing this for over twenty years. My best friend’s mom had him for a teacher in middle school in the seventies, she tells us, and her main memory of him was when he pointed out one girl in class who wore makeup and said she was very pretty, and the rest of the girls should be trying to be like her.

I complain about him. Constantly. Anonymously, usually, through a system set up in the guidance office to leave notes for a counselor. About the things he says and does, to me and my friends. One day, a friend of mine is talking back to him after an assembly and he grabs her arm and twists it. She cries and I take her to the office to report him.

We’re called into the principal’s office with a guidance counselor and the teacher in question, and the principal tells us if we want to press charges or pursue this, she’s standing with the teacher. I later find out from the guidance counselor that she’s been sharing my anonymous complaints with the teacher and he responded with, “That sounds like Skyla and her feminist concerns.”

He retires a few years later but they keep having him come back to teach art.

*

Fifteen years old, art class. A male friend who sits beside me drapes his arm around the back of my chair and starts casually rubbing my back over my bra strap. My entire body ices over and I can hear my pulse in my ears, but I don’t know how to say stop because it’ll hurt his feelings if I say I’m uncomfortable and I don’t want it to be weird in our circle of friends. So I sit on the edge of my seat to put distance between us and never sit beside him again.

*

Nineteen years old, I work midnights at a convenience store. Every few weeks the same middle-aged man comes in and strikes up a conversation while buying condoms, asking what my boyfriend thinks of me working there at night. Eventually I tell him my boyfriend works there too and he leans on the counter, asking if we ever have sex in the backroom, and if anyone’s back there now.

He finally leaves when a male friend of mine stops in on his way home after work. For future shifts, I try to arrange things so a friend hangs out in the store until later in the night when most of the weirdos have gone, even if it gets me in trouble with my boss.

*

Twenty-one years old, and I’m walking my dog at night. A group of men around my age shout “hi” at me, and it’s been ingrained in me to simply not respond, so I don’t. They call me a bitch and whisper and then follow me, down the street, through the shadows around a school. I walk with one hand poising on the pin to the personal alarm I keep clipped to my jeans and the other with my keys poking between my fingers in case I have to claw someone with them. I focus my attention on my friend’s house three blocks away in case I have to knock on their door. I lose my pursuers in a field by the school.

I never take that path when walking again but it doesn’t matter because there are always groups of men and they always shout at me no matter where I am.

Unless I’m already with a guy.

*

Skyla-1Twenty-six years old, the man who sometimes delivers my groceries steps into my apartment and lets the door close behind him. He looks nervous when he tells me how much he likes me and I feel guilty for not reciprocating the attention, but I tell him I have a boyfriend. He pushes and asks if we can hang out as friends; eventually I relent.

He calls early the next morning–he has my phone number because the store makes him call before a delivery–and wakes me up, and suggests he visit and we “go for a walk” on his day off later in the week. I freeze up, confused and unguarded, and mumble a yes. I chuckle with my friends about accidentally making a date but my stomach is twisting up. The day of the “date”, I leave the house and avoid the phone. More than anything, I hate myself for being too scared to flat out say no, you’re making me uncomfortable–I am angry with myself for caring about sparing his feelings when he’s shown no regard for mine–but he has my number and my address and I don’t know anything about him; avoiding him seems safer than a flat-out rejection.

Because I know his work schedule, I start having my groceries delivered a different day. Months go by without contact until my boyfriend is visiting, and then I have a delivery on a day he’s working, so he can see the boyfriend–part of me thinks that seeing me as another man’s property might be the final nail in a coffin.

*

Twenty-seven years old, near Christmas. Either the delivery guy has a different shift or I messed up the day, but he comes with my groceries. Once again, after I’ve paid and signed off on the delivery, he doesn’t leave but lets the door close behind him and starts chatting, not taking my one word answers and crossed arms as a sign I’m uncomfortable. As usual, he goes to shake my hand before he leaves but this time pulls me to him for a hug. I’m practically shaking and he kisses me on the cheek, keeps leaning close until I back up. Finally he goes.

Minutes later he calls to make sure I was “okay” with everything that happened. I stammer my reply and hang up.

Immediately I let my boyfriend know I’m really freaked out. He is worried as well until I get through the whole story and says, “Oh, he just tried to kiss you–I thought he tried to rape you or something.”

I question everything that happened and wonder if I’m overreacting. He “just” kissed me, after all.

I move out of town. I hear later he’s still asking about me.

*

skylaThirty years old and I think I know better now. I think I can see danger coming, I think I’m strong and not susceptible to this bullshit.

A friend mentions to me a mutual online acquaintance makes her uncomfortable and I pass off his behavior has harmless, socially awkward, etc, despite all the red flags he’s shown, but still we dig a bit deeper. And deeper. And when a group of us get together to discuss him, we realize he’s been stalking me and using my friends to help him do it. He’s been worming his way into my life, manipulating with gifts and creating a sense of obligation, and I’d fallen back into old habits and ignored the warning signs. We narrow down his immediate goal into getting me to leave the country and meet with him, and swiftly nip it in the bud.

He plays the victim. Says it’s just a misunderstanding. He keeps trying to get another foot in the door. Firmly saying, “This behavior is creepy and unacceptable”, while true, feels like its pushing against the grain of a culture that’s says I should be more concerned with his feelings than my own.

Despite his skillful manipulations, I feel like it’s my fault for not seeing it coming.

*

Thirty-one years old and I’m sitting here looking at this blog post and all the things I haven’t said.

Because even saying #YesAllWomen and seeing stories that reflect my own, and witnessing my friends speak up about the horrors visited upon them, there are stories I can’t share in detail. I still fear being told it wasn’t that big a deal or simply not believed. I’m still ashamed of things I shouldn’t be.

Even when we lay so much bare, there are still stories women won’t tell because we have entire lifetimes of experiences telling us not to.

This is why I rant about why I write the terrible things I write. Why authors like Krista D. Ball are adamant about consent in literature because too often the world of fiction reinforces the rape culture we live in instead of pushes back against it.

I’m thirty-one years old and all the women I know have stories of sexual harassment. Nearly all of them have been molested or raped. Many of them have been stalked. If we’re walking alone at night and a man is even a block behind us, we cross the street. Those of us who are single and go on dates give one another information on who we’re seeing–name, address, where we’re going, etc–with a promise that someone will call the police if we’re not heard from by a certain time.

We go on dates entirely prepared to be murdered. And it is seen as normal.

We’re blamed when we don’t say no loud enough, when we don’t fight hard enough, but ignore the experiences that have taught us saying no will at best be ignored and at worst be even more dangerous.

And before the “not all men” battle cry starts, that’s not the point–the point is that women are menaced at various points in their life, over and over again, on both small and large scales, by different men. This isn’t one guy following us throughout our lives repeating this behavior–it’s a whole lot, and it’s from men raised in a culture that teaches them they’re entitled to do so. That it’s romantic when men use the word “no” as the opening to negotiations. That a woman’s default position is “yes”. That even other women perpetuate these things because it’s so ingrained in us as normal.

#YesAllWomen is not about your experience; it’s about ours.

No, not all men are violent misogynists who kill women. No one is saying that. We’re saying that yes, all women to varying degrees know what it’s like to be treated as if men are entitled to our bodies. It’s still too many men. And we can’t always tell the dangerous ones from the harmless ones until it’s too fucking late.

I still walk with the personal alarm clipped to my jeans and my keys between my fingers.

Because I still know when–not if, as it’s just an eventuality we prepare for– something happens, no one’s going to help me.

 

Written by Skyla Dawn Cameron · Categorized: blog · Tagged: life, personal

May 22 2014

Twenty-Two-Twelve To Go-Go

campaignsmallTwenty-two days left in the campaign and 12% left to fund River Wolfe.

Reader and dear friend Danielle is offering to gift a copy of Bloodlines to the next person who contributes to the campaign. All you have to do is contribute and I can direct her where to gift the book. (If you already have Bloodlines, just let her know–perhaps she’ll do the contributor after you.)

I am a very obscure author with a tiny readership, and 88% of the campaign has been funded already by just eleven utterly astounding people. To be quite frank, this whole thing literally would not have a chance in hell of happening without Danielle, for more reasons than you’ll know–please do send her a tweet of thanks if you’re on Twitter (or in the comments).

My sincerest thanks for her constant (and humbling) support in believing in the work, and to everyone who has chipped in and shared the campaign thus far.

Written by Skyla Dawn Cameron · Categorized: blog · Tagged: blog news, bloodlines, Books, river

May 08 2014

Resurrecting River Wolfe

Well, I’ve gone and done it, hitting the “go live” button on the crowdfunding campaign to re-release River.

 

Shawn and Gus dance, Psych

Fat Amy - No Backup Dancers?

Everything you could possibly want to know, about perks and donation levels and stretch goals is on the site. The campaign runs until Friday, June 13th, because I have a terrible sense of humor. I won’t be going overboard advertising this, so if y’all could spread the word, I’d greatly appreciate it.

As a friend pointed out, there is nothing really to worry about here despite my darkly spiraling thoughts. If the campaign is funded, the book comes out. If it doesn’t, it doesn’t, and it’s only cost me the time I’ve already spent on rewrites. (edited to clarify: it’s fixed funding rather than flexible because if it doesn’t fully fund, the cost of rewards and shipping will literally put me in the hole. So it had to be all or nothing.) The ball is officially out of my court and I can’t worry.

Still, if you’ll excuse me…

JohnnyDeppSadEating

 

Written by Skyla Dawn Cameron · Categorized: blog · Tagged: Books, news, river

May 01 2014

On Diversity and Identification

There’s a hashtag worth checking out on Twitter and the ensuing conversation today: #WeNeedDiverseBooks

I used to teach workshops and courses for young writers (sometimes teens, sometimes even younger). There was a common pattern I noticed: kids, particularly very young ones, tended to write stories about protagonists who looked like them. I remember one girl who wrote about a worm, sometimes someone might write about a puppy, but if there was a human protagonist–even in a fantasy setting–the writer’s “default” character resembled them in gender, ethnicity, usually hair and eye colour, and often his or her home life.

One year, in one of my classes, there was a pair of second generation Chinese immigrant brothers. They’d been born and raised in Canada, and the younger of the two was about seven or so (IIRC). He wrote and illustrated a story about a boy who had an older brother (the other elements I don’t recall, but it sounded very similar to a story about him). And the protagonist in his story was a Caucasian, blue-eyed boy.

That was his default. All the stories he wrote, stories with protagonists who had details similar to his own life, were about white dudes.

And that made me think very hard about what stories, regardless of medium, all these kids were being exposed to. Books about white boys. TV shows about white boys. Movies about white boys. Even most toys tended to center around white boys (if human elements were involved).

This was a small child already growing up to see white as default. There is nothing wrong with a non-white child deciding to write about a white protagonist, but this calls for a long hard look at why writing about a Chinese boy never occurred to him. Why he never saw himself reflected in the media he consumed. And this isn’t new; talk to any teacher and they will tell you similar stories (eg. black girls who internalize that beauty is white skin, blue eyes, and blonde hair in all of their drawings and stories).  It left me questioning…what do I write? What do I read? What am *I* putting out in the world that contributes to this?

A friend of mine has run into a frustrating lack of children’s books where the kids have gay parents. Not where it’s an “issue”–“Hey, Susie has two moms, and that’s a big deal, but it’s okay!”–but just normal kids having normal adventures whose parents happen to be gay. She wants her daughter to feel normal. And I don’t doubt she wants her daughter’s peers to see their family as normal as well.

And fiction is so, so powerful. It provides validation, catharsis. It encourages the development of empathy. Kids deserve to see themselves reflected in fiction. Their skin, their hair, their eyes. Their parents. Their disorders. Their physical abilities. Their beliefs. Their size. Their family’s income level.

I was born in the early eighties. I had sassy (white) female characters in books and badass (white) heroines in film, but the one area I found it sorely lacking was video games. I bemoaned the fact I always had to play as a boy saving a girl. Even at eight, nine years old, I knew that something was wrong here. It wasn’t that I couldn’t play as/identify with a male character; I just didn’t want it forced on me. And I wanted more than a token girl, the Smurfette trope.

I held onto this growing resentment for years and it’s still a factor today when gaming. I tend to part with my cash for female-led games or ones where character gender preference is an option. I still play the female character whenever possible. And, generally speaking, I no longer feel forced to identify with a boy, therefore I am more likely to play male-led games than I ever was before.

But I was lucky in that I realized pretty quickly something was wrong with the lack of gender diversity. It was something I pushed back against early on. That is not so for a lot of kids who grow up internalizing that white hetero cis dudes are default and everything else is “different” and “other.”

What drove this home for me more recently–this need to see yourself represented (because, let’s face it, I’m a white, hetero, cis chick–there are lots of me all over the place, and I am quite privileged in many ways)–was TV. Yes, I live under a rock, and haven’t had cable in about seven years. But now I have Netflix and knitting while catching up on stuff I’ve missed the past few years has been great. And being that I lived under a rock, I had no idea that the lead character in Homeland has bipolar disorder.

See, I get it. I get what’s it’s like to have every depiction of someone like you be shown as a killer. Or as a joke. That is how mental illness is treated by most writers, regardless of medium. Need a reason why someone on Criminal Minds killed a bunch of people, so the protags have a villain to hunt? MAKE THE CHICK MENTALLY ILL! Need some cheap laughs? MAKE A SIDE CHARACTER MENTALLY ILL! And obviously it is also how a whole bunch of non-white ethnicities, non-Christian faiths, and non-cis characters are portrayed. (And yes, I am cognizant of the criticisms of some of that on Homeland; I just would like to separate, for a moment, other potentially problematic elements from why this show has value to me.)

As I watched Homeland‘s protagonist’s manic meltdown and subsequent crash into depression toward the end of the first season, it struck me how grateful I was to see someone “like me” on TV, as a main character. Not the perp-of-the-week on some crime drama or the wacky neighbour, not a joke, but someone living with–and often succumbing to–that particular illness. My god, to just see someone have a depressive episode and not have it immediately result in suicide (because ALL depressed people are automatically suicidal, dontcha know) was subversive and a revelation.

It doesn’t matter that Carrie Mathison’s bipolar disorder isn’t exactly like mine; what matters is there’s something very validating and cathartic about seeing a fictional character go through those struggles. How much more susceptible you are to gaslighting when you’re already “crazy”; how difficult it is to trust yourself when you know something’s “wrong” with you; trying to maintain yourself through extreme ups and downs, because the world’s not going to stop and let you off the ride just because your brain is fucked up. How the illness can be a liability but your unique perspective also has value. The struggle with questions of treatment.

And I’m left to wonder, if more stories like that are out there, depicting people like me not as a bad guy or as a joke, but as a real, functioning person who is more than her illness, will that not remove some of the stigma overall? Will that not breed compassion and open more conversations? Ultimately, will that not save the lives of people with a disorder that has an 85% survival rate, if they can feel more “normal” and safe enough to seek help?

I want that for everyone.  And I want it to start with kids.

A lot of the time, when people–writers, editors, readers–talk about a desire for diversity in fiction, it gets thrown in the category of “PC”.  That it’s just ticking off a list for the sake of political correctness and that is a bad thing. Because we’re so used to the narrative of white, hetero, cis, able men as default. But there is so much power in fiction–it allows people to open up and identify with the experience of others in a way few other things can, and understanding a wide variety of experiences makes us better people. It can save lives. Diversity matters.

Kids need diverse books. Adults need diverse books. Everyone deserves to see themselves reflected in fiction.

Written by Skyla Dawn Cameron · Categorized: blog · Tagged: Books, diversity, life

Apr 21 2014

“When’s That Book Coming?” Spring 2014 Update

I don’t want to alarm anyone but there is, in fact, actual news-ish stuff to report. Not firm dates yet, however, there is forward momentum in something.

First, did I write anything this past quarter?

Yes. Yes I did.

 

What I Wrote

I’d had a very, very rough draft of a book sitting here for a few months, and I finally went in and wrote the last 23K, bumping Frankenovel to 96K words. It’s been to the Beta of Awesome and I’m working on a coherent second draft now that hopefully disguises the fact that I am incompetent and terrible.

Angel Embarrassing Dance
I’m still not in THAT good of a mood, but if I was, I’d be doing this dance.

I dove, then, into the third book in that series, and that zero draft came in at 97K. Toward the end I realized I was actually going to need a book in between #2 and #3, so perhaps it’s more fair to say I finished the fourth in the series and still have to write the third. (I know, I know, my head hurts too.)

Of course, that concerns no one but me and my betas, as y’all aren’t familiar with those books. Overall, though, this progress is an excellent thing. I’m writing, I’m happy, and after getting roughly 150K on three projects so far this year, I am finally getting back in the game and this bodes well for the other irons I have in the fire (including, eventually, Oblivion).

 

What I’m Working On

Forward momentum has come, however, with my first published book River, which I am in the process of revising at last.

Snow White Flee
This is exactly how it feels rereading old work.

It was first written in 2003 and released in 2006. For those playing along at home, yes, I was barely twenty-one when I first wrote it. And this is why (in part) I asked for the contract to be terminated last year, I just was not comfortable with book out as-is.

There is something particularly horrific about rereading such an old work. Like I want to print it out and stab it repeatedly and then burn it and pretend it never existed. It’s much different from most of my work now–one hundred percent character driven (I mean, literally, there is no plot) and no explosions–but it does have voice, and the heroine’s utter hatred and contempt of humanity, yes, that is all me.

I’ve been through the first two chapters, and I struggle to balance the core of what the book used to be with something a little more updated. There are times, too, when I rewrite a few paragraphs, and then have to simplify the writing some to remain true to River’s abrupt, uncomplicated voice.

It’s a huge, huge undertaking. But the book still has its fans, so that is why I’ve committed to putting it out there again.

 

What To Expect

I am looking at re-releasing River in the summer. I won’t be able to do this on my own, not if I want a quality cover (I design them myself but stock isn’t cheap), a thorough copyedit by someone who isn’t the boss’s daughter, and a print edition through LSI (which has set-up fees but would guarantee better distribution), therefore I’ll be setting up an Indiegogo campaign to raise the extra funds to help get it released. I want to have the actual rewrite close to done before I launch it so, if the funding comes, I actually *can* release it in a timely manner, but look for details about that in another month or two.

covercomingsoonThe cost will be broken up into editing/proofing fees, stock costs, printer fees, campaign/PayPal fees, and the cost of rewards (advanced print copies for example), with stretch goals–one will cover the cost of an online book tour to promote it, and I’m toying with others (like a collector hardcover edition?).

The question for anyone who was a fan of the book is likely going to be, What about the sequel, Wolfe?

At this time, I’m not sure. *snips out whining about not liking the book* If River sells well and can justify the time spent on Wolfe, I will give rehauling the whole thing a shot next year. In the EXTREMELY unlikely chance that the Indiegogo campaign not only reaches the stretch goals but doubles, yes, I will absolutely commit to rewriting and re-releasing Wolfe.

It is also a bit of a test–if the campaign goes okay, I’ll feel a bit more secure about trying something similar for Oblivion.

If it doesn’t–and I am not sure I have a wide enough fanbase for it–it will definitely change how likely I am to release books myself in the future and delay some projects. I refuse to put out a subpar product and then charge money for it, but I absolutely cannot afford to self-publish regularly myself. Of course, I also strongly dislike the current trend of expecting readers to fund book production up front (and don’t get me started on promotion), but it’s this or nothing right now.

Yay, experiments!

 

Also On My Plate

I really, really have to focus on some for-pay writing projects right now because my god is my bank account hurting, but peripherally ahead of me is both Oblivion and Nairobi Spy Book (not the real title) after I’ve rewritten River.  Hopefully there’ll be news about other projects next update in July.

 

Other Stuff

Soulless should conclude around the end of May. I’ll leave it up as-is for a couple of weeks, and then it’ll come down and be a pet-donation-exclusive book again for the foreseeable future.  If you’ve read and enjoyed, and haven’t previously tossed pennies in the jar or purchased my other work, please consider doing so.

I am tossing around maybe serializing something in the summer–I still have Zara’s serial to finish, though if that’s not done, I have something else here I’m toying with–but there are a few factors behind the decision, and they all boil down to whether I think it’ll cost more time/money than will be worth it. I’ve always liked doing serials but even a completely finished story requires a lot of work to proof and post, along with added stress.

And I am not the least bit ashamed of my decisions being mercenary-based these days–a bitch has got to get paid.

shakespeare-got-to-get-paid

 

Written by Skyla Dawn Cameron · Categorized: blog · Tagged: Books, livi talbot, news, river, state of the union

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  • Skyla Dawn Cameron on “Why is the pandemic mentioned so much in Dweller?”–Media Literacy and Real-World Consequences
  • Skyla Dawn Cameron on Rebranded (and a Little Nostalgic)
  • Liz on Rebranded (and a Little Nostalgic)
  • Liz on All Audiobooks Now Available
  • Liz on “Why is the pandemic mentioned so much in Dweller?”–Media Literacy and Real-World Consequences
  • Skyla Dawn Cameron on Rebranded (and a Little Nostalgic)
  • Lena on Rebranded (and a Little Nostalgic)
  • Buy Your Paperbacks Directly From Me – Michael W Lucas on It’s Done

MEET SKYLA DAWN

Writer of horror, mysteries/thrillers, and urban fantasy.
Fifth-generation crazy cat lady. Bitchy feminist.
So tired all the goddamn time.

My characters kill people so I don’t have to.

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Socials

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What I’m Working On:

Re-proofing/formatting Livi Talbot 4-6 with the new covers. Writing Waverly 9 on the side.

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