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My characters kill people so I don't have to.

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Apr 14 2024

Soundtrack Sunday – ALONE AT NIGHT

I think I solved the problem for why some emails weren’t going out from the blog as well as my feedback form (I had to upgrade the PHP). ICYMI: I had a new release, the new hardcovers arrived, and everything else has been a mess. If I did not solve the problem, oh well, no one is going to get this outside of whoever clicks on social media. 🙃

My release day nearly two weeks ago was incredibly shitty, even accounting for how demoralizing publishing is in general. I had a few posts drafted here with updates about how things have been, but they sounded like whining so I haven’t posted them. Just insert Barbie here, cheerfully saying, “I’m definitely not thinking about death anymore!” (It’s fine, I’m fine, just a lot going on, and April is always terrible.)

Anyway, usual caveat–I listen to a lot of the same songs on repeat for this series, so check out the playlists for The Killing Beach, A Wild Kind of Darkness, and there are other series songs on the overview.

Zayde Wolfe – “Save Tonight (cover)“
This is probably the dark trailer theme song for the whole book for me.

Agnes Obel – “Riverside“
Waverly goes through Madison’s room/any scenes reflecting on the ghosts of dead girls in this book.
“Oh my god I see how everything is torn in the river deep//And I don’t know why I go the way//Down by the riverside”

Kirsty Bows – “Crawling (cover)“
I kind of hear this as Madison’s theme, even though she’s not in the actual book.

Alanis Morissette – “Perfect (acoustic)“
I think it should be painfully obvious why Waverly doesn’t get along with her mom (Rachael), but while her mothers aren’t quite this bad, this is what I hear with the household she grew up in, and certainly her little brother feels this way.
“We love you//just the way you are//if you’re perfect”

Ashley Johnson – “Take On Me (cover)“
Ashley Johnson has a beautiful voice–and I really admire how she can sing in character, keeping Ellie’s rougher, tentative voice for her TLoU songs (including “Wayfaring Stranger”, live). So this very quiet, gentle version of “Take On Me” was on repeat a few times in Alone at Night. Specifically the chapters putting the bed together, talking about the past case, etc.
“We’re talking away//I don’t know what I’m to say//I’ll say it anyway//Today is another day to find you//Shyin’ away//Oh, I’ll be comin’ for your love, okay”

Otis Redding – “For Your Precious Love“
Technically this was the song playing for the characters in that scene, though, lol.

Jessica Curry – “Mandus“

Sarah Brightman – “He Doesn’t See Me“
If anyone knows a more melancholy/darker/acoustic version of this, that’s more Waverly, hmu (I love SB, this is on the soundtrack for the lyrics). This is when she oversees someone seemingly on a date.
“When he passes me by, he’s a ray of light//Like the first drop of sun from the sky//And I know he’s a king who deserves a queen//But I’m not a queen, and he doesn’t see me”

Billie Marten – “In for the Kill“
I don’t know if I can specifically point to a scene for this one, although it gave me vibes of Waverly’s frustration and disappointment, and also in the latter part of the book when she’s watching him risk himself for the case.
“I hang my hopes out on the line//Will they be ready for you in time” and “I’m hoping you’ll understand//Now let go of my hand“

Sierra Eagleson – “A Case of You (cover)“
There are a lot of quiet moments in this book I love–one of them, without spoilers, is when Waverly finds her apartment very full of guests, and there’s a scene where they’re sitting on the floor and she confesses the maternal gene skipping her, and the different perspective she’s given on it.
“Oh, you’re in my blood like holy wine//You taste so bitter and so sweet//Oh, I could drink a case of you, darling//And I would still be on my feet”

Angelo Badalamenti – “Twin Peaks Theme (Instrumental)“
There’s a scene in this book that is 100% an Agent Cooper Moment, I don’t care that it’s blatant–I literally heard this song playing as I was typing despite not listening to anything at the time, and even the editor commented “He’s so dreamy.” (What is an ACM? When the theme kicks in while Cooper is kind as he declines Audrey’s advances, or one of the only great things that came out of The Return for me was the “I am the FBI” scene.)
“…there are vows we make, obviously, as part of our duties. But I made an oath myself to uphold certain values. One is to be in service not only to my community but to the world around me. Another is to never hold myself above anyone, victim, witness, or accused, and to afford each person I meet with the dignity everyone is owed from their very basic humanity. But the final one, perhaps the most relevant here”—he turns and looks at me—“is that the job is never above what is right. And if ever the job comes into conflict with what I believe is right, then my choice, while perhaps not easy, is clear and I will know the steps to take. I am not making a great sacrifice here. Even if it affects my case. Even as it most certainly affects my job prospects. There is right and there is wrong. What we’re doing is right.”

James Marshall – “Just You“
Last chapter/epilogue song. (Also, James has always been cool.)

Alone at Night is now available everywhere.

Written by Skyla Dawn Cameron · Categorized: blog · Tagged: soundtrack sunday

Apr 02 2024

New Release: Alone at Night

New Waverly book is here! Waverly tackles systemic police corruption while babysitting so if RAGE mixed with ABSOLUTE HILARITY is your thing, here’s the book for you.

Two months ago, Waverly Jones was given a reason to remain in her small hometown of Port Milton indefinitely. Her problem is that even for a private investigator who has solved several high-profile cases, her client pool in the area is limited, and there isn’t enough regular work to justify taking on the odd pro bono job—especially when strapped for cash because her agency is no longer a single-person operation, either.

For the first time, Waverly has an assistant—one who is as much her moral compass as he is a welcoming face to those in need of an investigator. So when the grieving, working-class mother of Madison Simmons—whose body was found in the woods after the spring thaw—comes to them for help, Waverly can’t say no, even if the sliding scale won’t be enough to cover it.

Despite the failure of authorities to look for Madison when she went missing, the death has since been confirmed a suicide. Still, questions plague her mother: why the sudden change in Madison’s behaviour before she died? What factors drove her to suicide?

And could there have been another person involved?

Kindle – Kobo – iBooks – Nook – Payhip – Paperback – Hardcover 

I’m taking the day mostly offline–I’m going to take another stab at the rewrite of Waverly 4 (I think once I get this first chapter sorted, I’ll be more confident going forward), reorganize my tax expenses, take a shower, consider a walk. Release days are weird because there’s a build-up of energy but nowhere for it to go, because books are rare read right away, so you can spend two years of your life on something, anticipating it being read, and then it might take a while before you know if it has been (or was liked). (Also adding: someone read it early, a couple of people are currently reading it, and those folks have all loved it, so I am pretty lucky in that regard.)

Amazon is taking a few weeks to ship if you’re getting the hardcover, but hopefully your patience will be rewarded because this is (IMO) a great book–some more clues for the series arc, Waverly Being Waverly, glimpses at WHY Waverly is the way she is, several social justice rants in a trenchcoat, the behind-the-scenes section is loaded with long rants on the concept of unlikeable women. And while every book in the series is a little different–the character dynamics are always changing, etc–this book is sort of the prime example of my somewhat joking tagline: “She’s a feral cat. He’s a Disney prince. Together THEY SOLVE CRIME.”

(One day I will be able to afford commissioning a Disney-style drawing to that effect.)

I will try to get the soundtrack post up for Sunday, I just have to dig out the songs from it. (The only one I remember off the top of my head is Ashley Johnson’s in-character cover of “Take on Me” for the putting-together-a-bed-and-awkwardly-pining chapters.)

A reminder that Silent All These Years–Waverly 4, which is primarily focused on The Crossroads Butcher, as well as some of Waverly’s, uh, choices having consequences–is not due out until May 6 2025, so there’s no preorder outside of Kobo because everywhere else makes me wait until it’s a year away.

So I hope you enjoy this one and if you’re not started on Waverly, you can get the first book for 25% off with the code MEETWAVERLY over at Payhip.

Written by Skyla Dawn Cameron · Categorized: blog

Mar 22 2024

To Be Seen

I rolled out of bed this morning, got dressed for the sudden temperature drop–very briefly, spring seemed to be here, but it’s gotten chilly again–and hauled ass to the post office to mail all those books.

There are two others I earmarked but have no rush on, that I need to package and send out, but the six that folks bought over a matter of hours last night are off to their destinations. I had bought ten total, quite nervous and unsure if they’d move at all (hardcovers are so expensive!), so I’m very relieved.

Not only that, but surprised and delighted and…perhaps humbled, I guess? I was not expecting that level of interest.

The Killing Beach came out May 30, and now the third book is due to arrive in a week and a half. Three within a year seemed like the best way to get folks invested while maintaining my sanity (I cannot, and will not, do rapid releases for anything; I did that over a couple of years under a pen name and damn near killed myself), and we’re mostly moving to yearly releases now, although the odd time I might be able to squeeze in two a year (though not in 2025; the hope is to release Livi 7 that fall, but WE’LL SEE). I’ve written far enough ahead that I can do that and still have some breathing room (yes, to those who like to send me objections periodically: the unprofitable mysteries will continue until morale improves).

I did get a little down on myself recently, as I’ve been combing over sales info while preparing taxes, and that was…not smart when it came to Waverly lol. But at the same time, I feel like that’s for the best–I do not want a repeat of Livi which, despite its low sales, is still higher than Waverly, and has just enough attention that I get hatemail. I want to be able to pay some bills and devote that time to writing something I love and not get yelled at in the meantime, so lower sales but great Patreon support has been working out best.

What is tremendously heartening for me, though, is how much a handful of people love these stories.

Because that first one was so hard to write, and I had a serious crisis of faith a few months before I finally finished it that almost led to me scrapping the book and series entirely–I’m so grateful I didn’t, because I needed these stories, and it seems others do too.

I know some sales are because people love the hardcovers–they come out beautifully, they’re packed with extra stories and “bonus features”, the covers hit that nostalgia feel, and folks will invest in them and pop them on the TBR for later. Other sales are from regular readers who like my work but maybe mysteries aren’t their thing and the haven’t tried them yet.

But a for a few others I’ve talked to, they needed Waverly the same way I have.

I think her cold prickliness serves the same purpose for readers that badass, burn-it-all-down heroines (or want-take-have heroines, like Zara) do. Women are socialized to care about everything and everyone, all the time. Most women I know are exhausted with caring, especially with everything that has gone down over the past four years. For me, personally, compassion fatigue has broken something in me I’m not getting back again. And spending a few hours in the head of someone who is distant and unmoved by most things and wants to be left alone is a great outlet.

The hardcover edition of Alone at Night, in the behind-the-scenes section, I dedicate a few pages to picking apart the concept of likability in women, linking it to how it’s used against victims in real life and discussing how subjective it is. One of the long-running themes in this series is what it means to be fully seen and understood, whether our perspectives of ourselves match reality, and how we’re prone to listen to the voices that reinforce our worst opinions about ourselves.

Some people I’ve talked to seem to really see and understand Waverly, and that keeps them engaging with the series–along with the need for detailed murder boards of clues, of course.

I am so grateful for that.

I hope when the books I just shipped arrive at their destinations, folks are pleased with the physical presentation again and eventually the story when they read–and for everyone else, Waverly is back April 2.

Written by Skyla Dawn Cameron · Categorized: blog

Mar 21 2024

Skip the Etsy Line – UPDATE

Lookit! Lookit the beauty that is the third Waverly hardcover!

And…they’re gone! At least the six I had available for sale, so I’ve removed the info here. Damn, y’all!

I have a couple more that are earmarked for various reasons–one to someone who preordered, one for the proofer, one for my shelf. Technically that leaves one more, and I will aim to get it posted at Etsy, but I only printed six digital download codes, so I’ll need to do some more.

I am truly surprised that people were eager to get signed copies. I hope everyone loves this new book as I do!

Look at the pretty books altogether!

Written by Skyla Dawn Cameron · Categorized: blog

Mar 14 2024

Death and Taxes

Alternate title: Hauntings and Steps

Next week I’ve got a Patreon post going up about my reset days–not the Day Reset I talked about here, but turning off the WiFi at least once a week first thing in the morning has been helping with burnout. I got the new Waverly novella (which was supposed to be a short story) done and a round of revision in, a big revision pass on Taiga Ridge done, and other stuff the past few weeks.

The new novella is Haunting at Hayward House, about Waverly being asked to investigate a haunted house, and it’ll be included with The Killing Beach as part of a collection coming to StoryBundle this May, curated by Margaret at Tyche Books.

I thought it would be a short story, aiming for 5K, figuring it would come in just under 10K.

It’s…currently sitting at 20K.

I have to do another pass on it to add some flesh and tension, and trim some stuff out, but I expect the final count to still be over 20K. 😬 I’ll be able to reuse it later as well–it takes place after the fourth book, so next year when that comes out in hardcover, this will be included in the bonus section there, along with another short (yes, actually short) story I’ve already written.

Still, I’ve declared we’d better sell a bazillion copies of this bundle when it’s live.

Speaking of StoryBundle–I need review quotes for Waverly, preferably specifically The Killing Beach. If you’re an author or a reviewer who has read it and can give me a line or two for a blurb, I would appreciate it! I would like to avoid looking at store sites and GoodReads for reviews if possible, for my mental health lol. I mostly reuse review quotes from other books when I need them (I do not send out review copies; it’s stressful and I’ve had some bad experiences), but I need to supply ones specific to The Killing Beach. As thanks, I can send you an e-copy of the new novella when it’s done in May!

I’ve been getting my steps in this week while working on taxes–it’s such a mess, tracking everything from both my writing business and my freelance business and getting it all sorted. My writing income is up a little from 2022, which surprised me since there was no new Livi book (although Charon’s Gold didn’t do well, a new one in the series tends to give the others a boost) and my other new releases did really poorly, but it’s basically Patreon’s influence–sixty percent of my writing income is from patron support. I don’t think I can possibly thank everyone sufficiently, but it truly is making a massive difference.

So about 8500 of my steps today came while I was doing taxes, because combining two things I don’t want to do but need to is apparently the way to actually get them done. If only I could talk and walk at the same time, I’d knock some phone calls off my list, but having to focus really hard on processing auditory information means I’d likely trip and break something.

I feel like I’m finally crawling my way out of burnout, so hopefully another few weeks of lying low and getting through taxes, medical appointments next month, and freeing up my schedule a little when I get this novella done, I’ll be able to tackle some of my writing to-do list.

Alone at Night Hardcover Update:

I said this on Bluesky but I’ll repeat here: I do not have my new hardcovers yet. They have not even been printed. They will be for sale on Amazon as of April 2 regardless, but I’m annoyed as I was hoping to hand-sell a few signed ones early as I make more (buying on Amazon, I make about $3 on them, which is very little for the extra work that goes into them) and had bought ten, which is a huge chunk of money to part with. So…yes, they are coming! I do not know when! 😬

Written by Skyla Dawn Cameron · Categorized: blog

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MEET SKYLA DAWN

Writer of horror, mysteries/thrillers, and urban fantasy.
Fifth-generation crazy cat lady. Bitchy feminist.
So tired all the goddamn time.

My characters kill people so I don’t have to.

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