Today I’m at the Evil League of Evil League of Evil Writers talking about when writing stops being fun and starts making you want to quit and become an artisan hummus maker. It doesn’t really have a happy ending. Yet.
New Soulless Chapter + Oblivion Non-Update
New chapter is up today. A funny thing happens to Ani and Simona on their way out of town and it may or may not involve something attacking them…
Next week, I’ll post a reminder here on Thursday that there are two chapters up for the week, and then that’ll be it other than periodic reminders here amidst other posts. If you want an email reminder of new chapters, you can subscribe by email or RSS on the Soulless site (my Twitter auto-updates as well).
I think y’all might’ve gotten new books for Christmas, as I’ve had a whole host of people hitting the site looking for news about Oblivion. Truth is, I still don’t have any. It’s not written. It’s on my schedule to work on but I’ll see how the next few months shape up. Very earliest release possibility will be summer; fall or later in the year is more likely. If I can’t financially swing the editor cost, I may try Kickstarting the fees. If that doesn’t pan out…well, it’ll be out when it’s out.
I’m sorry I don’t have more information. Sign up for either my quarterly newsletter or my new release one if you’d like to know when Oblivion is available. If you’re awaiting your fix and haven’t checked them out, there’s Damaged (Zara novella), Hungry Like the Wendigo (Ryann longish-short story), Whiskey Sour (Zara and Juliette short story collection), 9 Crimes (Nate novella and short story collection), and Home (Zara short story).
That’s about all the news I have–I’m taking a little internet break at the moment as I work out a new schedule for myself and deal with some issues. I’m also open for new clients and booking late January and beyond.
Wherein We Meet Simona
New Soulless chapter! Readers officially meet Ani’s hot-chick-in-leather-pants friend, Simona.
A friend who read this years and years ago, when I first wrote it (circa 2009 or so?) commented that he found Simona very Zara-like. And that was her purpose: to be the typical UF heroine. In any other book Simona would’ve been the protagonist. She’s hot, she’s snarky, she’s sexualized, she’s powerful. But this is a book where I wanted to do something different, and so I did.
I had good feedback on the book way back when, though there were a few remarks about how Ani was oddly difficult to connect to. And, quite frankly, that’s the point of it. She herself says she’s difficult to connect with–she quite literally has no friends and fakes any social interaction she can’t get out of. Those of you familiar with my work are likely aware I write very close first person, and Ani is no different.
If you don’t like her, don’t worry–there’s Rafe. He’s hot.
I won’t be updating here for the entire serial, just the first few chapters as a reminder while things get started. If you want to be kept up to date about new installments, you can subscribe directly to chapters on the site and have notices delivered to your inbox.
This. This This THIS.
Usually I just RT or share a link to something, but this is such an issue for me, I felt it needed more than 140 characters can express. As someone who has heard about every. damn. heroine. she’s ever written that the character is “unlikable”, I urge readers and writers to read this article in its entirety and give it some thought.
Writers are often told a character isn’t likable as literary criticism, as if a character’s likability is directly proportional to the quality of a novel’s writing. This is particularly true for women in fiction.
At the risk of making myself unlikable (heh): I don’t care that you don’t like my heroine. Her likability is the furthest thing from my mind when I write.
There are of course considerations to be had. Ideally, sure, I’d like you to find the character livable–I’d like you to be okay with spending a couple of hours with her; I’d like you to understand why she is the way she is; I’d like you to find small moments when you can identify with her.
I don’t care whether or not you like her. Likability is subjective. I cannot please everyone, nor would I try to.
This is what is so rarely said about unlikable women in fiction — that they aren’t pretending, that they won’t or can’t pretend to be someone they are not. They have neither the energy for it, nor the desire.
The storyteller’s job–or at least MY job–is not to write someone you’d like to have over for dinner. I couldn’t even if I wanted to; I’m an urban fantasy writer, and interesting fiction hinges on character conflict. My job is to tell the character’s story as well and accurately as I am able to. This means they will do things you don’t like; this means they will do things I don’t like. But that’s okay. I’ve ranted on this subject before, but with women in particular there is enormous pressure to be “likable”, to be accommodating, and this is thrust upon fictional women as well. I do not play that game. I’m not trying to make anyone likable, nor am I trying to make them unlikable. I write them as who they are. I write them to be real. Period. Full stop.
Zara has, with no exaggeration, been called one of the least likable heroines in urban fantasy. Like, the whole genre.
So you don’t like one of these ladies I’ve written? You hate her?
My response will always be: GOOD. Because that lady is a fictional person. She doesn’t exist. She doesn’t breathe or eat or talk or do anything outside of my brain. If you don’t like someone who doesn’t even exist, I have made her real to you and done my job.
Perhaps, then, unlikable characters, the ones who are the most human, are also the ones who are the most alive.
So I’m going to keep writing my “unlikable” heroines who say and do bad things, and make mistakes, and sometimes kill people, and swear a lot, because their stories are interesting to me and I don’t much care if it impairs their likability.
Or mine.
Soulless Begins
Well, here we go!
Two chapters a week, Tuesdays and Thursdays, starting today. There are forty-something chapters total (85K words).
It’s…an odd sort of book–Ani is a very non-traditional UF heroine. She’s a very internal character rather than snarky and full of banter; she doesn’t kick ass or swing a sword around (at least not well); she does not look hot in leather pants. She says the wrong thing, is completely socially inept, and hides from fate rather than chase it.
Also, she can eat the souls of monsters.
You can subscribe to chapters by email, if you want them delivered directly to your inbox. Coarse language, violence, some sex–you know, the usual. If you enjoy, please consider dropping some pennies in the tip jar on the site. I promise I won’t use it to buy cocaine.