Offline in a World of Blue

I’m offline this week for most of the time*–quite literally, I unplug before bed–so I can work without distraction and tackle this massive to-do list. Social media, correspondence, DMs, etc eats up a good chunk of time, but that’s really just part of it–it’s that my brain seems to get a little scrambled just being online. I need one of those resets. Just cutting back on the weekend and starting the week offline has helped tremendously–I should be able to get some major things done this week and next, and hopefully be able to breathe again.

I think part of it is the dopamine hits from being online, refreshing and checking things, becomes an easy source if your brain doesn’t really work right in that regard. One of the reasons I’m a prolific writer, I think, is because when I was young, writing and storytelling became intrinsically attached to that reward feedback loop–I feel good when I’m thinking and problem solving and writing. And it came about as a kid because I was largely alone and it was how I entertained myself. As an adult, I need to consciously get back in touch with that feeling, and cutting off online ties is the best way to do it.

I was noticing it really badly at the Saturday night write-in at my Discord server–I just could not form words. I was too scattered, too out of focus.

For the Waverly 4 revisions, part of that book involves Waverly revisiting the day Sebastian went missing and her sister was killed, that final conversation. Now, I know broadly everything that happened, all the secrets yet to come in the series–who The Butcher is, what happened that final day and the ensuing eleven years, etc. But the smaller details were always fuzzy and a few things I knew had to happen but not the specifics, it didn’t quite fit.

I decided I’d write four shorts under The Last Conversation. Waverly and Meadow’s argument at the school (which was mentioned in Alone at Night), Waverly’s POV of the last conversation with Sebastian, Sebastian’s POV of that same conversation, and then Meadow’s murder. (Yes, writing depressive things is my idea of a good time, I guess?)

I drafted out the first one at the past two write-ins, but the next one was a real struggle. I realized it was because I needed Sebastian’s first since it’s his scene–he’s the one with a lot more knowledge about what’s going on, he’s the one with the most to lose. It needed some theme music, though, so I went through some of the unreleased music from Twin Peaks, and ran into Angela Badalamenti’s demo for “Questions in a World of Blue”.

Of course I was familiar with Julee’s, which is haunting and beautiful. And the tune itself seems to be based on “Audrey’s Prayer“–there were a few later themes spun off of that, which I adore.

But something about Angelo’s demo just hit me really hard. I cannot describe how much the music from that show means to me; I had chronic insomnia as a child, so I used to listen to it at night to relax. To this day, my morning alarm is “Falling“. When I’m stressed, the music I listen to goes from my massive 16-hour 90s playlist to Tiffany’s self-titled debut album to Julee/Angelo/Twin Peaks music when I’m at my worst. The loss** of them both in 2022 still hits me hard.*** So Angelo’s quiet, rougher demo was just so beautiful and heartbreaking, it was perfect for the scene, and I ended up ugly crying the whole time. But last night and now tonight, I finished it at 5K. It flowed fairly smoothly and has some really good passages.

It’s finally put together everything for me–the scene clicked a lot of final pieces into place for me now, that makes sense of the past and will come into play later. And, of course, it’s taken me several books, several years, several hundred thousand words, to figure out I just really wanted to fix something from the S2 finale, in a way that literally no one will see the connection to but me. But his point of view was truly heartbreaking in a way I had not been entirely prepared for; Waverly’s view is so narrow that even knowing his history, I still need to write from his actual point of view to get the full picture.

They are not scenes I can share with anyone, not even Patreon (I might, if I can clean it up, be able to share the first one soon), but I need this backstory written for the current series timeline.

So that’s my days for the rest of this week and maybe next, unplugging at night before bed, working 10-12 hours during the day and breaking it up with some housework, and then checking in late at night and hopefully getting to work a little on my own stuff. By July I should no longer be running around having a constant panic attack over the everything April/May causing me to be so behind.

And just know that I hate to report this offline stuff really helps. Ugh.

BTW I have a bunch of current and upcoming deals at Kobo, for those who shop there.

Here’s Shawn being cute with my bra tonight:

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*Setting this to post as proof of life and I’ll drop links on social media later.
**”The World Spins” always leaves me in tears (it’s also the final chapter song for Beneath the Pines, Waverly 7) and I completely understood why when I found out Julee often cried while singing it.
***I link all the time, but if you’ve never seen Angelo talk about creating Laura Palmer’s Theme, it’s wonderful.